The firmware update adds 12-bit Cinema RAW Light formats: LT (Light), ST (Standard) and HQ (High Quality), improving workflow flexibility and providing more options post-production. Previously made available for the EOS R5 C and EOS C70, this highly requested feature allows users to select a scalable range of internal RAW recording data rates that either further enhance the fidelity of the sensor output or reduce file sizes – all while maintaining the high quality 12-bit colour information.
Cinema RAW Light is continually evolving and has a clear advantage over heavily compressed formats, especially for colour grading and VFX pipelines
The EOS C500 Mark II features a 5.9K full frame sensor, internal RAW recording, interchangeable lens mount and highly configurable modular design. The camera is a popular choice for television and cinematic productions due to its impressive image quality, extensive connectivity, and compact body.
Aron Randhawa, Senior Product Specialist at Canon Europe, said: “Cinema RAW Light is continually evolving and has a clear advantage over heavily compressed formats, especially for colour grading and VFX pipelines. All three scalable new formats are 12-bit, even at higher frame rates, with no chroma subsampling, enabling cinematographers to unleash the full capability of their production camera.”
For more information about the Canon EOS C500 Mark II and the upcoming firmware update (release date end March 2024), please visit: https://apo-opa.co/3Vt8zXC
Distributed by APO Group on behalf of Canon Central and North Africa (CCNA).